Eliza Dushku Quotes

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In my first movie, That Night, with Juliette Lewis, I had a scene with two other girls where we applied a cream to our chests to make o... - Eliza Dushku

In my first movie, That Night, with Juliette Lewis, I had a scene with two other girls where we applied a cream to our chests to make our breasts grow. I was 10.

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I prefer intellect and charm.

The whole idea of genre and categorising films is a critic's construct. For me, I just try and make stories and see where they go, but there's nothing wrong with horror; there's nothing wrong with romantic comedies.

I have had some cosmetic surgery, especially after I lost weight and stuff, and I've had my breasts lifted - but not injected. That would scare me to death, anyway.

It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.

I used to drum on the table at school. I think a handful of my school reports say that they thought I might have some kind of ADD because I was making sounds. I was far from being an ADD child. I was actually quite quiet and well-behaved. But I used to drum on things.

You have to be committed to expand rights and opportunities for all women.

I want to specify that I pay my own taxes in France, for all my income.

I want to get into some television. There might be a perception about me being only a movie actor, you know, and there's this whole new sort of frontier opening up in that medium.

I always treat each take as a rehearsal for the next take. That way you can find stuff and keep adding and playing until they tell me to stop.

How do you make sure that you stand your ground and you find your place in the world, even if that place is not the place everyone else tells you it's supposed to be? For me, TV is character-driven and those are the types of characters I want to watch.

In the media business and as a creative executive, if you don't take risks, you're dead in the water. Calculated risk taking is essential for success. No one said it was easy.

I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.

I stopped making music for other people.

The key to change... is to let go of fear.

I am especially grateful that I have been able to keep my own style over the decades, in spite of the many changes that have taken place in the world of fashion and in its business.

Valentino Garavani